Wash development

A jean is decided in the drum, not on the sketch.

Two factories can sew the same pattern and still ship two different products, because the wash is where shade, hand feel and wear pattern are set. We develop it on your fabric, against your reference, and send you the result to approve before anything is cut.

Sampling with washing included runs 5–10 days. Our wash partner sits in the same district as our floor, in a cluster of more than a thousand denim workshops.

Sample with wash
5–10 days, washing included
Wash partner
Long-term dye-house, same district
Routes we run
Six families, from rinse to hand work
Approval
Sealed sample before bulk
Inside the drum at our wash partner. Bulk runs on the same route your approved sample took.

The six routes we run.

Most styles are a combination rather than one route — a tint over an enzyme base, a spray over a bleach. This is the vocabulary we quote in.

01Rinse

Clean indigo, no abrasion, minimal shrinkage left. The ground every other wash sits on, and the cheapest route to a wearable first sample.

02Enzyme & stone

Hand feel and surface. Softens the cloth, lifts the edges, gives the dusty look that reads as "worn in" rather than "washed once".

03Bleach & acid

Contrast. Local bleaching for high-and-low panels, acid spray for the spot and snow effects that hold up in a lookbook photo.

04Tint & overdye

Casting the base colour — grey, khaki, olive, green over indigo. Also the route for sulphur black and the "not-quite-blue" shades buyers ask for.

05Spray & gradient

Hand work with a spray gun: tonal gradients, shadow on the thigh, a fade that runs down one leg. Done by hand, so the repeat is a judgement, not a formula.

06Distress, repair & patchwork

Cutting, scraping, whiskers, darning and panel work. The slowest and most expensive of the six, and the one that most clearly separates a development house from a contract sewing shop.

Hand spraying colour onto hanging jeans before washing
Hand spray, before the drum
Wash balls at the partner dye-house
Stone and enzyme media at the dye-house
Hand distressing with raw edges
Hand distressing on a finished sample

The range, on our own samples.

Four of our own development pieces, four different decisions in the drum — from a barely-touched indigo to a full olive cast.

Deep indigo flare jean, minimal wash
Deep indigo — minimal wash, colour kept
Clean blue rinse wide-leg jean
Clean rinse — softness without losing the shade
Heavily faded wide-leg jean
Enzyme, stone and bleach — heavy fade
Olive tint cargo pant
Tint and overdye — olive cast over the base

How a wash gets matched.

01

Reference

Send a photo in daylight, or the garment itself. Tell us the base fabric you intend to use — weight and stretch change the result more than the recipe does.

02

Trial on your fabric

We run the first trial on your cloth and send photographs under one light source. Two or three rounds is normal; anyone promising one is guessing.

03

Seal and repeat

The approved sample is sealed and becomes the shade reference for bulk — same partner, same route, checked against that sample as it comes out of the drum.

What actually moves the price.

VariableWhy it costs
Number of routes per styleEach route is a separate pass through the dye-house. A tint over an enzyme base is two passes, not one.
Hand minutesSpray, scraping and darning are paid by the minute, not by the piece. This is where a "simple" wash doubles in cost.
Base fabricIndigo and sulphur black behave differently in the same recipe. Changing the fabric after the wash is approved restarts the development.
Shade toleranceA tight tolerance across a large order means more passes and more rejects. We quote the tolerance, not just the colour.

What to send us.

A photo of the wash you want, taken in daylight, flat rather than on a body. The garment itself if you have one. Your base fabric, or the weight and stretch you are aiming for. Your target price, so we tell you which of the six routes is realistic before you fall in love with one.